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I've been doing some housekeeping on the site, and decided to rearrange the photography section of my site. That required creating this gallery of my favourite images I took in 2013. This means things are a little out of order, but I hope you enjoy this gallery of older images.
I'm pleased that some of them have stood up quite well!
This post was originally written in January 2014. A list of the top ten 2013 films is forthcoming. Images are posters of the films and are not my own.
This was an unprecedented year of moviegoing for me. Under the guidance of writers like Jeffrey Overstreet and the Letterboxd community, I propelled myself into films that I would previously have never picked up. These were movies of caution, great beauty, patience, and character. I’m finding now that when I return to films which fascinated or thrilled me years ago, they now seem boring and tired.
But this also means that I have been introduced to a number of movies from former years that could easily hold their ground on any best of list, so it is a little unfair to add them here. Note too that the line dividing the main list from the honourable mentions is very thin and that this list is in chronological order of watching, not hierarchical order.
Towards the beginning of the year I discovered that almost all of Charlie Chaplin’s films are online. I watched a number of them, some alone and some while the family was gathered round, but City Lights remains my favourite. I returned to it in part for its brilliant humour and classic set design, but mostly for the selfless relationship that the Tramp and the blind flower girl share, particularly in the closing scene, which is rightly called Chaplin’s finest moment of acting.
One reviewer said “I cannot recall the last film that so wholly, honestly, and movingly explained what it means to be Christian” and I after seeing this twice in 2013 I would have to agree. The men of the Christian monastery in the rural Muslim village, whose daily rhythm is captured so well, felt like brothers by the end. The film explores their decision to either stay in the village and face death in the hands of approaching militants or leave the people they were called to serve. Each man knows that his choice will affect both his brother and the larger community of the village. The village’s reaction to the brothers’ presence had quite the impact on me the first time I watched it and I explained why in my review.
A wordless poem, effortlessly capturing Brugal’s painting On the Way to Calvaryin its colours, atmosphere, perspective, and sets. Filled with such gravity, it grinds its participants with the weight of sin and suffering in the same way the grotesquely shaped mill of the title grinds its wheat. Grace is present, but only on its outskirts, something I would preferred more of. But it does make it the perfect pre-resurrection Good Friday and I plan on watching it annually during Holy Week.
Perhaps the most moral show in television’s history, but I’m not talking about clean content. I’m referring to the tightly wound weight of moral decisions every character makes, decisions clearly grounded in their ordinary day-to-day lives. The show takes its patient time showing the choices unfold as a suburban high school chemistry teacher transforms himself into a drug lord, getting into the characters’ heads so that we can understand why. Yet the impending danger these choices imply haunt every moment like the minor chords that underline its theme music. A character study of Jesse alone would fill a thesis, but Walt pride is the heart of the transformation and going alone for the ride
The first time I watched this relatively simple story about disconnect in outer space I was gripping my IMAX seat the whole time and came out of the theatre panting. The second time I was moved to tears by both Ryan Stone’s sorrow at dying without being taught to pray and the film’s powerful closing episode. My only regret is that since I’m unwilling to compromise the experience by watching it on anything other then an IMAX 3D screen, I don’t expect to re-watch it. Proof that innovation and excellence in cinema is far from over.
A sparse, simple story of real people struggling for redemption as they live their ordinary lives. An ex-minster mentors a former inmate as they both work their way out of their cocoons and back into the larger world. Told with patience and grace, elegantly sidestepping any possible cliches, it is an example of the filmmaker’s power to tell stories, paint characters, and encourage the viewer to head back into real life having been reminded what makes it worth telling.
A Coen Brothers film that follows a folk singer in the 60’s, accompanied by a soundtrack that stands on its own is sure to standout on any list of mine. This is a literary film that favours character development over easy answers and endings, and mixes grace and forgiveness with the bitter uncertainty faced by any young man struggling with his career. I’ve only just seen it, but I know that it will stand up to repeat viewing.
There Will Be Blood, fascinated by the quest for power, featured terrifying acting and grinding cinematography. An important film for Albertans. I admired To The Wonder for the way it effortless captured ordinary beauty, but even more for its wisdom in understanding that love towards others and God requires work and commitment. The “Before.. Trilogy", Before Sunrise, Before Sunset, and Before Midnight, is simple yet incredibly ambitious. It’s also fascinating for its long term chronicling of the payout of a relationship that is based on our culture’s understanding love. Watching Like Someone in Love was when a foreign film humbled me, teaching me to better appreciate foreigners.Once is a low budged Irish film that knows more about human relationships then any dozen Hollywood films, O Brother, Where Art Thou is the Coen brothers teaching us about grace and power of God to baptize when he chooses. And Almost Famous graciously balanced the need a young person has for the wisdom of home while honestly portraying the charms and dangers of the wider world.
Be sure to regularly check back to my Letterboxd profile. I’ll also keep this website up-to-date as I find more treasures in the year ahead.
This post was originally published in January 2014. Images are from the books and are not my own.
It’s that time of year, where bloggers everywhere turn to their logbooks of entertainment from the previous year and offer up their favoirtes. As one who loves lists, I too offer my selections. Today we will discuss books, with films to follow.
First, a word on “the best of 2013”. I think I read three or four books this year that were actually published in 2013, so if I stuck to that categorization, this would be a short and easy list. But of the 38 books I read this year, I’m bound to be influenced by much more then just the passing fancies of our age. It’s perhaps slightly unfair, since I could just read a stack of classics and accurately call them the “best” books I read that year. But nevertheless, in chronological order, I offer the books that most shaped me this past year, followed by list of honourable mentions.
A hefty 500 page anthology, The Christian Imagination: The Practice of Faith in Literature and Imagination features contributions, both short and long, from 50 authors, living and dead, assembled by the venerable authorty of the topic, Leland Ryken. It set a trajectory and was a travelguide for what would become a year of art exploration. The book explores, from many angles, the “realationship between imagination, belief, and words” and taught me to demand a quality in writing that reflects the author’s Creator, to confront the “aesthetic poverty of evangelicalism”, and to recognize the worldview of an author while learning from the way that author represents it.
A Good Man is Hard To Find and The Children of Men were read shortly after or at the same time as the previous volume. They both illustrated the principles Ryken’s book set out. Here are two Christian women who write well and by their writing challenge both believers and the world at large. Flannery O’Conner’s work particularly stands out for its dark short stories depiciting ordinary characters in a weary world, in which you can almost feel the eternal weight of their desicions. Much has been said about how Ms. O’Conner used violence to shock her characters and her sleepy audience into the realization of eternal truths. I find her short stores a cousin of sorts to the music of Sufjan Stevens.
The moment I heard about Every Good Endeavor: Connecting Your Work to God’s Work I knew it was for me. It was so helpful I plan on rereading it every year that I find myself in the workforce. Unlike so many other evangelical perspectives on the working world, this is a wholestic, hopeful, biblical, and practical look at the culture of the workforce and how it interesects with the Christian’s calling. I want to buy a box of copies and hand them to friends and colleagues.
Seldom have I enjoyed a book more than Planet Narnia. Like a real life literary detective novel, this book adds so much to the beloved series I grew up with and to the study of Lewis. Not only is it an example of how a Christian should bring both literary and theological depth to his writing, but it also opened my eyes to the the world of Lewis scholarship something I am now itching to one day contribute to.
I slowly worked my way through The Four Holy Gospels, savouring the way the depth of its images paired to the eternal depth of its words. My Name is Asher Lev painted with words the way the author sees the world along with his internal struggle. Death By Living was enjoyable and moving, well written and entertaining. The Secret Thoughts of an Unlikely Convert was an encouraging reminder to never give up on the unlikely people God throws in your path. Finally, Winter’s Tale, although convoluted at times and prehaps too long, was a book full of wisdom and beauty and is the work of fiction which I have underlined the most.
Stay tuned! Next I’ll be posting my favourite films from 2013.